The New York City Department of Transportation has announced the winner of its reNEWable Times Square design competition, aimed to temporarily “refresh and revive” the streetscape of newly pedestrianized Times Square while plans for permanent reconstruction proceed (construction is slated for 1012). Brooklyn artist Molly Dilworth‘s Cool Water, Hot Island was selected from 150 submitted designs for the pedestrian zones along Broadway from 47th to 42nd Streets. The piece is a large-scale painted installation abstractly interpreting—and mitigating!—Manhattan’s heat island effect. From NYCDOT’s release:
The proposed design’s color palette of striking blues and whites reflects more sunlight and absorb less heat – improving the look of these popular pedestrian plazas while making them more comfortable to sit in. The color and patterns evoke water, suggesting a river flowing through the center of Times Square, and they also provide a compelling visual counterpoint to the reds, oranges and yellows of the area’s signature marquees and billboards.
An illustrative lecture by William Reed AIA, an architect at the Integrative Design Collaborative as well as Regenesis, Inc. and Delving Deeper who is a nati0nally recognized expert on the practice of sustainable design, delivered in March as part of the Boston Society of Architects lecture series. Reed speaks about the need for “whole-systems design,” the design of built projects that aims for both integration and co-evolution of built structures and natural systems in given development site, community or region.
The Architectural League of New York has just mounted an exhibit called ‘The City We Imagined/The City We Made: New New York 2001-2010‘ about architecture, planning, and development in New York City since 2001.
This installment chronicles the transformation the physical city in light of the convergence of an array of powerful forces: the events of 9/11, the policies and priorities of the Bloomberg Administration, the volatility of global and local economies, advances in material and construction technologies, and a new interest among the public in contemporary architecture.
The exhibit consists of design proposals from the last ten years, a large collection of photos gathered from design professionals citywide, interviews and original video. New York Magazine offers a sort-of-review—more a reflection on stasis and change in the City’s landscape—in its most recent issue.
May 8-June 26, 2010
Location: 250 Hudson Street (Enter on Dominick Street)
Hours: Wednesday-Sunday, Noon-7pm
Recent collaborations between architects, artists and landscape architects have begun to blur the boundaries between architecture, art and site. What does it mean to intervene in the environment with these projects? What differentiates or unifies spatial form, sculpture and landscape?
Panelists are Alice Aycock, Sculptor; Signe Nielsen, FASLA, Principal, Mathews Nielsen Landscape Architecture; Dennis Oppenheim, Installation Artist; Christopher Sharples, AIA, Principal, SHoP Architects.
Monday, May 3rd, 2010 | 5:30-8pm
@ The Center for Architecture
536 Laguardia Place, New York, NY
Free for AIA members; $10 for non-members
Rising Currents: Projects for New York’s Waterfront opens today at the MoMA. The exhibit features architectural proposals transforming New York City’s harbor and coastline in response to sea level rise. Last fall’s architects-in-residence program at P.S.1 brought together five interdisciplinary teams to produce plans, models, drawings and analytical models that now make up the show.
Urban Omnibus offers an in-depth preview and primer on project focal points: industrial development that creates new marine habitat on the Kill Van Kull; oyster reef restoration on the Gowanus Bay and Buttermilk Channel; a partially submerged residential development in the Narrows; park expansion onto piers at Liberty State Park; carefully stratefied tower construction at the southern tip of Manhattan.
The show runs through October 11th.
Now that the City of New York has decided to make the pedestrian plazas in Times Square permanent, the New York City Department of Transportation (DOT), in partnership with the Times Square Alliance, has issued a Request for Proposals for conceptual designs of short-term “refreshes” of the plazas. The alternate designs, once implemented, are expected to be operational for eight months, beginning in mid-July. Proposal submission deadline is April 16th.
The competition is taking place in tandem with a separate design process for a permanent reconstruction project, to begin in 2012 in partnership with the Department of Design and Construction and under the umbrella of the Mayor’s Greenlight for Midtown program.
(via Urban Omnibus)
Artist Luke Jerram is preparing an outdoor ‘acoustic pavilion’ called Aeolus, which will be built of hundreds of metal tubes acting as Aeolian harps. Each tube will contain strings which will strike chords inside the structure as the wind passes over them, making the whole structure sing. Visitors to the piece will be able to sit in the center of the structure, and the tubes will act as lighting filters, speckling the interior with shifting light. Jerrem’s work includes a number of environmentally focused projects, including one that amplifies and orchestrates sounds made by plants.
Aeolus is being funded by the United Kingdom’s Engineering & Physical Sciences Research Council (EPSRC) and hosted by the acoustic engineering departments at the University of Southampton (ISVR) and University of Salford. The installation, which is currently in development, will be hosted by various temporary sites in the UK before being installed in a permanent location.
(via Green Diary)
The University of British Columbia is currently in construction of what it claims will be the “greenest building in North America”: its new $37 million Center for Interactive Research on Sustainability. Making use of fuel cells, solar panels, solar hot water heaters, ground source heat pumps and biomass co-generation, the building will be a net energy producer and serve as a living laboratory for all of these technologies. Its water system will operate without municipal plumbing or sewage connections, collecting and using only rainwater and stormwater for its water supply. The research facility has been designed by Busby Perkins + Will. Construction is expected to be complete in 2011.
Figment, the participatory public arts project on Governor’s Island, is preparing for its fourth annual summer event and has released its call for art and architecture proposals. There are three open competitions:
- Design an individual hole to compose part of an 18-hole mini-golf course. This year’s theme is World’s Fair. This was a very popular installation last year. Proposals are due by March 1.
- Proposals for artworks works to be featured in the City of Dreams Sculpture Garden. 16 works were featured last year. Proposals are due by March 1.
- Design and construct an architectural pavilion for the 2010 summer season which will serve as a gathering and performance space as well as a venue for learning about arts programs on the Island. Registration deadline for this one is February 16th.
(via Governor’s Island Blog)
A couple of exciting exhibitions and projects featuring the built and natural environments are currently underway at the MoMA and P.S.1. The MoMA exhibition, “In Situ: Architecture and Landscape”, opened last April and will be running through February 22nd. A small but succinct show, it’s worth visiting.
P.S.1′s recent program “Rising Currents: Projects for New York’s Waterfront” included a studio residency for Architecture Research Office (ARO), which developed designs for “adaptive ‘soft’ infrastructures” to address rising tidewaters in New York and New Jersey, taking into account the needs of both the metropolis and the coastline ecology. An exhibit of models, drawings and analytical materials produced during the residency will be opening at the MoMA March 24th. In the meantime, the Rising Currents Blog continues to offer interesting reflections on the intersections of urban and hydrological systems.